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  • Hong Kong Day 1 (Mon 2/16) — “Signage”

    In the late morning, as I entered the stairway leading down to Jordan Station in TST for the first time, my first impression was that the flow of people was much less orderly than in Taiwan. I fought against this disorderly flow for a moment or two, until I remembered that the the left-right conventions are flipped here. A reminder that one’s initial judgements of a place should be tempered with some amount of humility—I was the one creating disorder for lack of understanding.

    I also realized cash is surprisingly dominant here, as it was in Taiwan. Cash is required for purchasing an Octopus card at the service center in the station. The Octopus card seems to be the equivalent of the Easy Card I used in Taiwan—it is a widely accepted (and often preferred) form of payment. As far as I know, no US city has a comparable kind of system.

    I still hear quite a bit of Mandarin around me, despite Cantonese being the dominant language. However, I notice that many spoken announcements are provided in Cantonese, English, and Mandarin—e.g. my hotel’s elevator, transit announcements.

    After a quick bánh mì for lunch, which I ate while walking—not so pleasant due to the (pedestrian) congestion in Central (I couldn’t find anywhere pleasant to sit), I went to Hong Kong Park.


    When I arrived at a corner just opposite the park, I realized there was no way to cross. Instead, I observed people making their way to the park from my side via a pedestrian bridge just above me.

    I thought I had followed the signage properly, but I had used my own instincts to fill in gaps in the sign continuity and erred at some point.

    Multiple times, I then followed signs promising arrival at Hong Kong park, and each set of escalators seemed to send me anywhere but the park.

    In theory, I can appreciate the efficiency of these multilevel pathways, but for a first-timer (who, admittedly, needs greater-than-average navigational hand-holding), the signs are not sufficient.


    Yet there seemed to be an abundance of sign-budget for signs of the particularly useless variety.

    “Mind your steps”—as if one will ever miss the steps but catch this sign.

    Many signs are of the variety “don’t do this here”.

    Especially annoying were the “do not sit” ones (no pic, sorry)—why create perfectly sitable ledges and not allow sitting? A personal nightmare.

    I wish they would list the proper places. But looks like the floor and your buddy’s hands are a no-go.

    Even beyond the silly signage, I found the park disappointing. It’s overly manicured, like an outdoor mall. Surely there is some better balance between cleanliness and sterility, between polished and uninspiring.

    I was genuinely surprised the benches in the park did not say “do not sit”.

    For a solid few minutes, I truly believed the bird sounds might be playing through speakers hidden in the trees, Rain Forest Cafe style.

    All the plants looked like they had been placed there in the morning, and at the end of the day, they’d toss them to make room for the fresh batch tomorrow.

    (And thank GOD the water fountain specified “for drinking only”—I was just about to clean my dirty azzole in it (Hong Kong, like the US, has yet to hear of the bidet—I was spoiled in Taiwan)).

    Each tree has a name tag and a number tied around its trunk; the park’s unhappy prisoners.

    Maybe it’s inevitable that progress entails turning the world into something resembling a museum…


    In witnessing my own internal commentary during this park visit, I was aware that these judgments, more than anything else, betrayed a brain that was overwhelmed, tired, and (consequently) a tad cynical. And maybe Hong Kong’s hyper-capitalism isn’t my vibe—yet I somehow miss my (hyper-capitalist) home.

    I decided to head back to the hotel to nap; I only hoped the couple in the adjacent room got all their loud sex out of their system the night before (I had considered banging on the paper-thin wall, but the optimal game-theoretic response would be to ignore me and perhaps steal my “do not disturb” sign in the morning).

    They hadn’t, but I was still able to rest for a few hours, which only slightly improved my mood—it did not quite recharge my mind with the capacity to feel wonder (instead of overwhelm) in response to the city’s novelty.

    I think I want to go home—I’ve been away and on the go for too long.

    These aggressive weight-loss ads in the subway did not improve my mood or outlook on humanity (the technology is fine—it’s the marketing/consumerism that wearies me).

    I daydreamed of finding my way back to an optimistic mindset; which mental escalators do I take?

    I leave my “signage” in journals, but later I too often struggle to fully empathize with the words, and that’s when I do read them (which itself is an infrequent occurrence).

    I wish I could inhabit an unshakable positive orientation toward the world.


    At night, in all likelihood a response to these feelings, I picked up Epictetus again. I find it helpful to read philosophy or spiritual/religious texts when I am feeling cynical—or a consoling piece of fiction (Young Mungo, which I finished a few days ago, was not quite that—a hopeful outlook at the end (maybe), and some scattered life-affirming/consoling moments, but overall a bleak read).

  • Lunisolar musical intentions

    Update (2026-12-17): I created a visualization of the lunisolar calendar described below: calendar.tomoorthemoon.com.


    I am writing this 3 days before Lunar New Year (February 17th) from my hotel in Kaohsiung. Kaohsiung is the last leg of my travels in Taiwan. Tomorrow I head to Hong Kong, where I will enjoy the LNY theatrics before heading home after three weeks away.

    Home is a strange word for me to type, speak, or think at this moment. There are three distinct “homes” I feel a significant pull towards at present: (1) Massachusetts (broadly), where I grew up, and where my parents and other relatives are clustered around, and my only true “permanent”(-feeling) residence, (2) Los Angeles, where I spent the last four years + change working on my PhD, and (3) San Francisco, the home of my immediate future—a lease has been signed.

    When I arrive back in LA after Lunar NY, I am only staying the night before driving up to SF to begin this new chapter of my life, folding home (2) into the past (for now, anyways), and firmly arriving in home (3).

    This year, I have decided to follow the lunisolar calendar for my goal-setting “quarters”. In 2025, I had already decided to begin my first quarter well after the Gregorian New Year. January 1st is just too soon mentally to begin a new year; I need about a month to just increment the year digits in my mind. Plus, the December burnout in academia is real—and I will likely continue experiencing it in the corporate world—and then the following holiday vacation time (“play hard”) inevitably spills into January.

    Tonight I settled on one specific goal for this first lunisolar quarter: produce and (independently) release my first song as a single on major streaming platforms. I decided on the specific song as well. Its most concrete form at present is a rough demo consisting of a verse and a chorus, but all the bones are there, in my head at least.

    The end of this first lunisolar quarter is May 16th—roughly 3 months from February 17th, Lunar New Year. Three months feels like an overly generous eternity to grant myself for finishing just one song, but I am simultaneously scared shitless by this timeline. It feels impossible. I think this might mean I have found the sweetspot.

    This past Fall, in the final semester of my PhD, I was faced with a timeline I felt similarly towards. I needed to finalize one more project for my dissertation. This final push was the most intentional and focused I had been during my entire PhD, except perhaps for my first paper (which I finalized and submitted just after suffering a knee fracture and undergoing surgery—that era of Robby had a level of focus and determination I still reminisce about).

    I aim to carry some lessons from this final PhD push over to my music ambitions. The first part is done—the scope and deadline are settled.

    Another practice that was successful from my PhD push was the quasi-daily and weekly check-ins I conducted, in which I wrote brief status updates to myself (my advisor was on sabbatical, and I was not collaborating with others on this project, so I was essentially on my own to keep on top of things). At the time, it occurred to me to possibly publish these check-ins as blog posts, but I didn’t have the “infrastructure” in place (more of an excuse, really), nor did I feel comfortable sharing details of my research online (I’m hearing another excuse, to be honest…).

    But now that I have this little website, which I created as a sharable creative sandbox of sorts, and because somehow my music struggles seem easier for me to stomach publicizing, I figured this quarter’s music goal—a published single—would be a fun thing to blog about on a weekly basis (and if not fun, maybe still useful).

    However, publishing just one, solitary song on streaming platforms is a prospect I find unnerving. That’s a lot of pressure to put on one song.

    Or, it would be if I made a big stink about it.

    So I plan to not make a big stink about it—and save the stink for when I release a collection of songs, which is a goal I am tentatively setting for the next quarter (ending in August), although this feels incredibly ambitious from my current vantage point. And maybe I’ll indefinitely save the stink—keep it casual—who knows (I’m only thinking that I’ll probably feel the same about just one, solitary album, but at least the songs themselves will have friends).

    And it’s fitting—or so I find it—that May 16th, and the rest of the quarter demarcations in my lunisolar system, fall on a new moon. Among the possible demarcations, it is a quieter symbol of passing time, certainly compared to a full moon, which is a much bigger (and brighter) stink.

    Anyway, these cycles are something I intend to play with in 2026.

    There’s much more to say, but saving it all for next week.

    再见👋

  • Taipei Day 2 (Sunday 2/1)

    Taipei Day 2 (Sunday 2/1)

    Another slick drizzly day in Ximen

    I had a quick breakfast consisting of 7-11 bread-items and an orange juice. For lunch—not long after, since I woke up late—I walked to a vegetarian buffet restaurant (果然匯 台北新光站前店).

    In the afternoon, I spent a few hours at the Taipei Fine Arts Museum—I decided to do this today because museums are closed on Monday.

    In the early evening, I visited the popular Dihua Street Lunar New Year night market. I was too overwhelmed to purchase anything—plus, as I found was the case in most night markets, the food is very meat-heavy and/or fried, neither of which is my cup of tea.

    Dihua Street Lunar New Year Night Market

    I wandered towards the Dadaocheng Wharf Container Market (大稻埕碼頭貨櫃市集) from Dihua, and found it to be quite small and fairly quiet, but was worth it for the views along the water.

    View of mountains from Dadaocheng dock

    I had heard that Ningxia Night Market (寧夏夜市) would have more hot food options for me. In particular, I sought out stinky tofu, which I tried—and fairly enjoyed—for the first time.

    I next walked towards the Taipei Main Station, where I checked out the underground mall and little shops inside the building. It was very crowded.

    Outside the station, I also saw a large concentration of unhoused people—the first such sight I had seen so far in Taiwan. I was struck by the relative cleanliness and composure of the homeless population here, compared to what I am used to in the US, which, as far as I understand, has something to do with the much harsher laws and enforcement surrounding drug use, as well as higher general cleanliness standards in Taiwan (but I am sure there are other factors).

    Made my way back to the hotel in Ximending:

    In the evening, I checked out one of the more scandalous gay bars. I had considered going on Saturday, but I figured an off-night was more my speed (and yesterday I was too tired anyways). I ordered an orange juice and made conversation with the bartender and a Singaporean regular, from whom I learned some nuances in Taiwanese (and Chinese, more broadly) slang, and some pieces of travel wisdom.

  • Taipei Day 1 (Saturday 2/31)

    Drizzly mood all day

    Today was my first full day in Taipei! I am staying in the Ximen neighborhood my first few nights.

    In the morning I was hungry and disoriented, and attempted to order breakfast at a local spot, but left when I realized there might not be any vegan options (and otherwise became socially anxious).

    I noticed I was putting a lot of pressure on myself to effectively navigate social situations in fluent Mandarin, despite knowing full well—but perhaps not accepting—that my current speaking (and listening) abilities would make this impossible.

    I decided to check out 上頂皇家, a vegetarian to-go spot just around my hotel. I simply asked “what’s good” in English, soon had some pot stickers in my system. Having successfully used cash to pay for food, I was emboldened. I ate like a 豬 (🐷) the rest of the day.

    Next stops included Ximen Mango Shaved Ice, where I grabbed some warm soy milk and a bready thing whose name escapes me (both of questionable veganity). I continued my rampage at Popcorn Chicken King Ximen 台灣鹽酥雞 西門直營店 where I ordered vegan fried chicken and fried oyster mushrooms.

    I continued wandering around Ximen the rest of the day.

    I accidentally stumbled into a cute market (東三水街市場、新富市場) on the way to Lungshan Temple.

    I found Lungshan Temple after navigating the closure surrounding Bangka Park (I needed to go underground; not sure if this is normally required).

    After Lungshan, I wandered through the Bopiliao Historical Block (剝皮寮歷史街區), where the most notable sight on this rainy afternoon was a mob of children breakdancing, which I watched in delight for a few moments with a handful of other onlookers.

    I wandered through some more side streets as I made my way back to the hotel for a brief rest before dinner. I happened to pass through yet another night market (Huaxi Street Night Market 臺北華西街夜市)—no photo, but below are a few others I took along the way.

    I also stopped in a music store, where I shared a cute moment with the shopkeeper and his young son (~8 years old), who was keeping watch at the counter. When I came in, and the father emerged from the back, I said in English that I would just be looking around (I was curious to see if they had any smaller instruments I could take with me the rest of the trip—sadly, they did not), and I was met with a dismissive wave. Just as I was about to turn around and leave, I heard the son quietly say to his father, “…看一看…”, which I recognized as a translation of what I had said, so I said “谢谢” (thank you) to the son, which roused a bit of a chuckle from the father; this sudden warmth made me feel comfortable lingering for a few more moments before heading out.

    For dinner, I returned to a Sichuan cold noodle place I had discovered in my earlier wanderings (Sichuan style cold noodles 四川涼麵).

    I then took a brief post-dinner nap at the hotel before making a visit to check out The Red House (西門紅樓), where there are a number of LGBTQ+ bars. I felt quite out of place as most people there were in groups, and it was less the fluid mingling vibe I had come to expect from my travel guide (Gemini), and more a bunch of pre-existing groups chatting and (presumably) pregaming for more happening spots later in the evening.

    It was also still raining (and more heavily now), so I concluded my night early and got some much-needed sleep at the hotel.


    When I randomly awoke at around 4am, I grabbed some snacks at the 7-11 nearby before heading back to sleep.

    The cat who oversaw my safe passage to 7-ELEVEN